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    Cheval de Guerre was from 1989- 1993 with several members. We went everywhere. Places like SanFrancisco and Ljubljana. I was always in the band and I wrote stuff.
    This performance we actually played as "Valdys Unborn Children" which is a purely canadian "joke" and we went to Bergen, Norway and played at HULEN, I did a solo at Manefisken(we couldn't afford the train fares) in Oslo, and then we played York. Reg was always in the band, and unlike many incarnations of Cheval de Guerre, i loved these guys. We had one fan for sure, Troy Tate. Thanks for coming out, Troy.

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    Get all 15 Kathleen Yearwood Ordeal releases available on Bandcamp and save 20%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Folk Songs, REQUIEM (World in Ashes) Complete version with 8 movements, Requiem/Dies Irae/Tuba Mirum, Cheval De Guerre- Live and Unrequited, Requiem/Dies Irae. World in Ashes (Live performance), This Guitar Is Wrecked Part 1, This Guitar is Wrecked Part 2, Hunt the Circle, and 7 more. , and , .

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about

Live version with improvisation by Reg Elder and Mark Benton

lyrics

Coyotes are crying like somebody died and the wind is blowing the stars off course and there's mice in the traps and a nighthawk outside and the damn sky is blue as a broken heart and always just suspended just beyond my lonely poor heart and the mud is freezing under the turquoise sky which is just suspended beyond my eyes and the real is closer now the sky subsides...

If I could just touch the surface of that silky sky...

The buzzing flies sound like mens voices
the ones that kill cows with electric devices
the black flies sound like the old men
coming to kill the spring cattle

The rich will survive, the poor will perish
They're glad to see we're keeping our faith
the rich are glad we're keeping our faith
it'll be that much longer until we awake.

credits

from Cheval De Guerre- Live and Unrequited, released December 28, 2018

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about

Kathleen Yearwood Ordeal

Guitarist and singer for over 30 years. Plays folk- concrete music. Structured inprovisations, random acts of bad dance and odd-ience participaction. Smashed glass and naked men. From Slovenia to iceland.

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